Turandot -Theoretical Design, UNCSA Spring 2022

Turandot by Giacomo Puccini is an opera about love and revenge. Prince Calaf is willing to risk his life by answering three riddles in order to marry Princess Turandot. Many men perished attempting to complete this challenge, but Calaf after seeing the princess just once, is undeterred. Eventually the two young people fall in love.

Set in 14th century China, the historical events of the fall of the Yuan Dynasty and the rise of the Ming Dynasty provide the backdrop for this tale. We follow Timur, the fallen king, who is in hiding disguised in muted earth tones, thus allowing him to blend in with the peasants that live outside of the palace. The saturated jewel tones of the nobility in the palace provide a stark visual separation between the two groups. Turandot stands apart in a white palette (which represents death in the culture). The emperor’s palette of black represents the heavenly ruler while the gold embellishments serve as a nod towards his nobility.

Placing Turandot in an icy white and blue palette and lengthening her dragon robe silhouette goes against historic Chinese noble dress. But in setting her own standards, she represents power and justice. As Turandot began to fall in love with Calaf, she transitions to a more traditional silhouette and color palette.

Turandot focuses on love and revenge and showcases an acceptance of self and others.